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The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a display model or store return that has been used. See details for description of any imperfections. Read this book years ago and, like the Talisman, left a lasting impression and desire to read again.

Faerie Tale: A Novel Of Terror And Fantasy

Verified purchase: Yes Condition: Pre-owned. Slightly different than his usual fantasy books but still a great story with fantastic charachters. Unlike most of Raymond E Feist books this is a stand alone novel. Would highly recommend this to both Feist fans and people who have not previously read any of his work. Skip to main content.


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Reading them, I became interested in YA because I remember how important my teenage years were in terms of finding the books that helped me discover who I was and who I wanted to be. That being said, however, do you feel that the YA label has limited your work at all in terms of readership? HB: Ideally, labels like "teen" and "middle grade" or genre-specific labels like "fantasy" or "mystery" help readers find the books they're looking for.

But they also inevitably deter other readers from picking up books they don't think they'd like because of those same labels.

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In terms of my own work, YA represents a huge readership and has been growing exponentially through the decade and a half I've been in publishing, so it's been a great place to be shelved. Hopefully more, like you, are willing to stick with me! AF: When you published Tithe, and even works like The Spiderwick Chronicles which is geared at middle-grade readers, your works were darker than a lot of YA literature on the market.

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Since then it seems that the trend has gone more in this direction. Some critics and parents complain that children's literature is not what it used to be--implying that it was once wholesome and conservative.

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However, anyone familiar with classic fairy tales and children's literature knows that this is not the case. What are your thoughts on the "dark" side of children's literature? How do you deal with criticism concerning this issue? HB: I think there's an idea behind this criticism that there's only one kind of YA reader or, at least, that YA should serve one kind of YA reader at the expense of others. What are we saying about children and teens who have been homeless or been hurt or who know people who have had experiences with drugs?